Ben Folds Five (album)

Ben Folds Five
Studio album by Ben Folds Five
Released August 8, 1995
Recorded Wave Castle, North Carolina, February 1995
Genre Alternative rock
Length 46:14
Label Passenger
Producer Caleb Southern
Ben Folds Five chronology
Ben Folds Five
(1995)
Whatever and Ever Amen
(1997)
Professional ratings
Review scores
Source Rating
Allmusic [1]
EW July 28, 1995, p. 62
Melody Maker June 8, 1996, p. 48
NME April 27, 1996, p. 53
Option January, 1996, p. 92
Pitchfork Media [2]
Rolling Stone [3]
Village Voice February 20, 1996

Ben Folds Five is the self-titled debut album by Ben Folds Five, released in 1995. A non-traditional rock album by any estimation, it was an indie pop album that excluded lead guitars completely.[4] The album was released on the small independent label Passenger Records, owned by Caroline Records, a subsidiary of Virgin/EMI.

Ben Folds Five received almost universally positive reviews, and spawned five singles. The record failed to chart, but sparked an intense bidding war eventually won by Sony Music.[5] Several live versions of songs originally released on Ben Folds Five reappeared later as b-sides or on compilations.

Contents

Track listing

All songs written and composed by Ben Folds, except where noted. 

No. Title Lyrics Length
1. "Jackson Cannery"     3:23
2. "Philosophy"     4:36
3. "Julianne"     2:30
4. "Where's Summer B.?"   Folds, Darren Jessee 4:07
5. "Alice Childress"   Folds, Anna Goodman 4:34
6. "Underground"     4:11
7. "Sports and Wine"     2:58
8. "Uncle Walter"     3:51
9. "Best Imitation of Myself"     2:38
10. "Video"     4:07
11. "The Last Polka"   Folds, Anna Goodman 4:34
12. "Boxing"     4:45

Reviews

The album received positive reviews from NME, Rolling Stone, Pitchfork, and Entertainment Weekly.

AllMusic gave Ben Folds Five 4 out of 5 stars, calling it "a potent, and extremely fun, collection of postmodern rock ditties that comes off as a pleasantly workable combination of Tin Pan Alley showmanship, Todd Rundgren-style power pop, and myriad alt-rock sensibilities."[4]

Personnel

Production

References